Seven creatives changed against the two batches already in the deck. Every
CTA, on-image CTA copy and Meta button is untouched — those were approved and are out of
scope here. Three further creatives were cut as duplicates rather than fixed. The original deck is
unchanged and still live at /.


ProblemSaid "bins out" — British English on a US-audience ad. Surface read as a corkboard and the notes were held by chrome push-pins; you do not pin paper to a fridge. The one note that carries the concept ("we need to talk about Sunday") was set SMALLER than the three chores.
ChangeCopy is now "trash out". Added a real door handle — the single cue that makes the surface read as a fridge. Magnets are flat and coloured instead of chrome domes. The Sunday note is now the largest, squarest and most lifted element; the three admin notes sit back.


ProblemReproduced the Google wordmark and caret colour exactly. Replicating another company's mark inside a paid ad is trademark and platform-impersonation exposure, and it was never what made the concept work.
ChangeWordmark replaced with a neutral search glyph, caret de-coloured. The autocomplete — the actual idea — is untouched.


ProblemAn empty, rumpled bed in cold blue. For a concept about divorce and a changed future it reads as a death, and it is bleak in a way that contradicts Serenium's warm-direct register. No person.
ChangeA composed adult, warm light, reflective rather than despairing — and male-led, which this batch badly needed.


ProblemA warm, pleasant conversation over mugs under the headline "The same conversation, again." The image argues the opposite of the copy — and it reuses the same coffee-mug visual as g2-habits in one batch.
ChangeTwo people at an actual impasse: looking away, talked out. Different visual family from g2.


ProblemSandwich-generation concept, but only a child is shown — the ageing-parent half is invisible. The father is smiling and amused while the headline is about depletion.
ChangeBoth generations in frame and visible strain, so the headline and the picture finally agree.


ProblemTwo cups on a cafe table, both fresh — reads as a coffee date, not a grief habit. No person in frame.
ChangeAlso found on Pexels. Hands serving eggs onto the second of two plates at a home table. The breakthrough was searching person-first rather than "two cups" — and switching the "two places" idea from cups to PLATES, which avoids repeating the mug motif f1-again now carries. No face in frame, so the identifiable-people clause does not bite here.


ProblemAn empty plate on a dark table, in black and white. For co-parenting it reads as deprivation or hunger, the monochrome is off-brand for Serenium, and a creative about a childhood contained no child.
ChangeFound outside Unsplash — Pexels, where the US-suburban pool is far deeper. A child carrying a case down the front steps of a grey clapboard house. LICENCE CAUTION: the subject is an identifiable minor and the Pexels Licence forbids identifiable people appearing "in a bad light". The headline implies this specific child's parents separated. Needs sign-off before launch — see the note at the foot of this page.
Nothing is left unresolved. Both need a decision from you rather than another search — options are an Unsplash+ licence, a commissioned or local shoot, or moving the concept to one of the non-photo formats, which outperformed the photo set anyway.
These three appeared in the 07-15 batch and again in the 07-17 batch. Reviewers were being shown the same idea twice; in each case the 07-17 execution is the stronger one.
f4-roles superseded by f5-roles-changed
Identical headline, brand and format to f5-roles-changed in the 07-17 batch.
g1-still-here superseded by g5-still-here
Same anticipatory-grief concept as g5-still-here, which executes it better. The 07-15 photo was books and reading glasses — abandoned-object imagery that says "they are gone" directly under a headline insisting they are still here.
g4-schedule superseded by g4-repeats-yearly
"There is no schedule for this" and the recurring-calendar concept are the same idea; the calendar execution is sharper.
f3-two-homes is not cleared to run. The photo comes from Pexels, whose licence states identifiable people may not appear "in a bad light or in a way that is offensive". The subject is an identifiable minor, and the headline over her implies that this specific child's parents separated and that her family needs therapy. That is a defensible reading of the clause and it is a judgement call for Suciu, not one to make in a build script. A warmer alternate frame from the same shoot (mother and two children, smiling) is downloaded and ready if you want the lower-risk option — it is a one-line swap.
The same question is worth asking of f2-between and g3-a-future, which
show identifiable adults under depletion and grief headlines. Both are Unsplash, whose licence does
not carry the equivalent sensitive-use clause, so they look clear — but the adults are far more
recognisable than the child is here.
Squares shown. Tall and wide variants were regenerated for every fixed creative and are in the deploy bundle. Renders downscaled to 800px for this page; full-resolution PNGs stay in the batch directories for upload. Click any render to enlarge it.